Christophe, a tall, graceful woman, who has a long history of supporting ''difficult'' art projects, began designing costumes for Robert Wilson in 1981. Beyond the family, their influence has been substantial, too. ''I went to breakfast, lunch and dinner at their house and met every important person they knew. And Donald Judd has gone public with vociferous denunciations of the foundation, which is now but a shadow of itself. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. 1538-1576 - Anne de Barbay, fille de Guyot de Barbay et d'Anne de Frenelle. Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. A painter himself, he had been a prime mover in the commissioning of Leger, Matisse and Rouault to do work for churches in France. Philippa was then married to Francesco Pellizzi, an Italian anthropology student, and already exploring with him the concept of helping artists realize large-scale environmental works. Christophe, for example, was once chided by an East Hampton hostess for not showing up at a party. Dominique, who earned a degree in mathematics at the University of Paris, was the product of a cultivated family that had, in the late 19th century, built a textile fortune. BUT, AS DOMINIQUE likes to point out, she and John didn't start out rich. WHERE THE DE MENIL MONEY COMES FROM. Shortly thereafter, she gave him a book of Cartier-Bresson photographs, inscribed to him by the master himself, who had been staying with her for the weekend. An economist, with a Ph.D. from the Massachusetts Institute of Technology, he has taught at Princeton and is founding director of the economics research division of the Institute for Advanced Studies in the Social Sciences in Paris, where he is a professor and where he spends time teaching each year. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. The stock decline was an element in the recent heavy retrenchment of the Dia Foundation, entirely supported by Philippa de Menil, to the tune of several million dollars a year. But Heiner lives in a dream. The public would never know museum fatigue and would have the rare joy of sitting in front of a painting and contemplating it Works would appear, disappear, and reappear like actors on a stage. Collectively, they have disbursed tens of millions of dollars for purchases, commissions and general support of art - contributions, to be sure, that more than occasionally have been attended by an impulse to control. Dominique, who from childhood had an impulse toward collecting, acquiring such objects as ''shells, cut-out images, exotic seeds,'' attributes her interest in art -late-blooming as it was - to her mother, who would have collected, save for her husband's disapproval. Now I have a vocation and much better bearings.''. [25], The de Menils had originally made plans to build the Rothko Chapel in 1964 when Dominique de Menil commissioned a suite of meditative paintings by Mark Rothko for an ecumenical chapel intended for the University of St. Thomas as a space of dialogue and reflection between faiths. Collector-watchers point out, however, that - starting later and with less money - the de Menils have not yet managed to give us the equivalent of the Cloisters, the Museum of Modern art and Colonial Williamsburg. Before, I did things for others, and now I'm doing something for myself. ''She had a passion for art, and in later years she did buy it, but she gave it to her grandchildren - small things, a little Klee, a little Picasso, a little Rouault,'' says Dominique. Website http://www.diaart.org Industries. But one family member suggests that the figure ''could easily be twice that amount.'' Fariha Friedrichwhich is the name Philippa de Menil assumed after she and Heiner Friedrich embraced Sufi Islam and married in 1979was talking about the beginning of their foundation. Whitman brought a suit against Dia, which is pending. Sweeney, the de Menils' man, was eventually dismissed, partly because he questioned the attributions of works the Blaffer family proposed to donate. (Box, page 38.) Yet for all her protests, her modest, low-key bearing conceals the drive of a captain of industry, and one of her associates says, ''The phrase 'steel butterfly' was coined for her. Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. Philippa de Menil (now Fariha Fatima al-Jerrahi) ominously reflected on the passing of her spiritual guide saying, "His death seemed to herald many new changes." [5] The new board began slashing at Dia contracts and real estate to get the budget under control with projects being dropped and dismantled at a fast rate. I try to stay close to them, and as time goes on, we are more and more in touch.'' Description Art and Activism surveys John and Dominique de Menil's projects in art, architecture, and civil and human rights, initiatives that deeply affected the city of Houston and often national and even international communities. So serious, in fact, was the recent plight of Dia that Dominique asked her son Georges, a trustee of Philippa's inheritance, to help. Adelaide, two years younger and known as Addie to the family, is a photographer, and travels with Ted Carpenter on a far-flung anthropological and collecting beat. And I loathed the black-tiled floor. [2] Contents 1 Early life 2 Collecting art 3 Art patron Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. They have been adventurous patrons, perhaps less concerned than many with the kudos and the cash that go with art patronage in American society. Dominique de Menil, the daughter of Conrad Schlumberger and his wife, Louise Delpech, was born in Paris on March 23, 1908. Why Not Dedicate Art to King, De Menil Asks City Council., Richard, Paul. GROWING UP IN HOUSTON, ADELAIDE DE MENIL was embarrassed to bring her friends to the art-filled home of her parents, Dominique and John de Menil. Indeed, shuttling among residences in Houston, New York and Paris, Dominique has a heavy agenda. [33], The nearby Cy Twombly Gallery, opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper. Helped by Citizens for Good Schools, a progressive organization supported by de Menil money, Everett won his seat, along with the other three candidates supported by the citizens group. [11] Influenced by the teachings of Father Couturier and Father Congar, the de Menils developed a particular humanist ethos in which they understood art as a central part of the human experience. Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. You might try using the wildcards * and ? Francois's taste in art is more of a mixed bag than Christophe's, ranging from works by Matisse, de Chirico, Picasso and Rothko to a flock of life-size fake sheep by the French artists Francois-Xavier and Claude Lalanne. (Philippa's first name was changed to Fariha when she converted to Islam during the wedding ceremony to Heiner) and co-founded Dia with Helen Winkler in the mid to late 1970s. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. . There was a moral obligation to get involved with their involvements. Though John was born to a titled military family, he grew up poor, thanks to the efforts of his father to pay off a relative's debt. Fariha de Menil Friedrich discussed the main principles of Sufism, how it can be a friend and a helper in the contemporary puzzle of conflicting visions and religious doctrines and reflected on how her early life in Houston influenced her spiritual search. ''I was interested in art, but shy and out of contact with the art world. Seven years later, John joined Schlumberger Ltd. Their backgrounds were very different. There, surreal-looking dress dummies and women assistants with pins in their mouths share space with art by Cy Twombly, Yves Klein, Ralph Humphrey and John Chamberlain as well as furniture by the late Charles James, Dominique's favorite dress designer. The middle child is Georges, an elegant and articulate - if slightly stuffy -scholar of 45 who more or less oversees the family's financial matters. [10] They bought more than two hundred pieces from Klejman's New York Gallery. Carr, Annemarie Weyl, and Laurence J. Morrocco. So in tune with the de Menils' judgments was Sweeney that at one point, seeing a show in Paris of cranky kinetic works by the then-little-known Swiss sculptor Jean Tinguely, he let them know about it. Since its inception, the chapel has witnessed all manner of events, from high-minded colloquia to weddings, bar mitzvahs, a Sufi ceremony by whirling dervishes from Turkey, a reception for the Dalai Lama and avant-garde concerts. Following Ozak's death, the tariqa was split into the Nur Ashki Jerrahi Sufi Order and the Jerrahi Order of America, with the former reflecting a more "universalistic" orientation, and the latter a more . Anyone can read what you share. [1] At Rice, the de Menils also cultivated their interest in film, working with such noted filmmakers as Roberto Rossellini, who made several trips to Houston to teach Rice University students and create television documentaries. ''Ted really started it - he saved an old house that was going to be demolished, and so we bought the land,'' she says. The issue was really the kind of institution St. Thomas was to be - would it maintain its Catholic identity or would it become a secular college? Says Philip Johnson, who met Dominique and John when they were ''still living in a tract house'' in Houston, ''They were unpretentious, yet arrogant enough. "Defying prejudice, Islam's mystical, musical strain appeals to New Yorkers", Menil Foundation - Handbook of Texas Online, "A Special Prize of the Carter-Menil Human Rights Foundation", https://en.wikipedia.org/w/index.php?title=Dominique_de_Menil&oldid=1127825718, This page was last edited on 16 December 2022, at 21:42. They helped make a black militant who hated white people into a humanitarian.'' The artists previously collaborated with the Dia Art Foundation, which was founded by Philippa de Menil (Dominique and John's daughter), to realise their monumental immersive light installation. Friedrich has exhibited works by Blinky Palermo, Walter De Maria, Donald Judd, La Monte Young, Andy Warhol, Michael Heizer, and Joseph Beuys, among others in his galleries in Germany, but became less interested in short term gallery installations and through Dia began to collect, and support majo [1], In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of human rights worldwide. So hooked were they that, ''We went crazy,'' says Dominique. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' The founders had . Designed by the architect Charles Gwathmey and built at a reported cost of $6 million, the house - called ''Toad Hall'' by its owner - is a fantasy version of a luxury ocean liner, with a three-story greenhouse, screening room, game room, exercise salon, wine cellar and the obligatory swimming pool. Though designed by one of the architects of the flamboyant Pompidou Center in Paris, which wears its plumbing on its facade, it bears no resemblance to that outrageous folly. Very much the image of upper-class young marrieds, the pair rode horseback in the Bois de Boulogne, and confined their artistic interests to the likes of Christian Berard, a lightweight Parisian contemporary. It was inescapable. A local citizen once called John up and railed against him as a ''red'' for his support of King. THE COUPLE'S MOST INTENSE Houston involvement was with St. Thomas University, a small Catholic college. It also features temporary exhibitions. ''We didn't really buy art, because we didn't have the money and we didn't think of it,'' says Dominique, whose scientist father considered spending money on art frivolous. [27], The de Menils also organized exhibitions that promoted human and civil rights, including The De Luxe Show, a 1971 exhibition of contemporary art held in Houston's Fifth Ward, a historically African-American neighborhood. Heiner Friedrich is an art dealer and collector of minimal art and conceptual art. Most of the land and houses within a six-block radius, quietly assembled by John, are under de Menil ownership. THE NEW BUILDING will be close to another, even more un-Houstonian de Menil monument. Meanwhile, grandiosity and the Schlumberger stock slide have caused the serious foundering of the Dia Foundation, established by Philippa and Heiner Friedrich, to support the ambitious projects of several hand-picked artists. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. Playing savior to old buildings in the area, she and Ted Carpenter have rescued 15 of them and restored most, with the aid of the Houston architect, Howard Barnstone, a longtime family friend. And there is no question that Houston's cultural establishment takes the new museum quite seriously. In 1930 she met the banker Jean de Mnil (who later anglicized his name to John de Menil), and they were married the next year. The foundation operates Dia:Beacon (est. Heiner's Wagnerian ambitions to serve as impresario for artists with grand-scale visions appealed to her. They established the university's Media Center in 1967. I think they're inspired.'' He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. (An uncle, Jean Schlumberger, helped found the celebrated literary magazine Nouvelle Revue Francaise). THE DE MENILS' civil-rights activities earned them epithets ranging from '''radical chic'' to ''Communist.'' key biscayne triathlon 2022 In 1974, Fr The rest of John's and Dominique's estates would go to their own causes. de? 1576-1584 - Claude d'Anglure, nomme par le cardinal de Vaudmont, vque de Toul et maintenue par le duc de Lorraine, Charles III. In 1986, de Menil deepened her involvement in social causes, establishing the Carter-Menil Human Rights Foundation with former president Jimmy Carter to "promote the protection of human rights throughout the world". [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. Hewing to the European tradition of millionaire radicals, they came to be Houston's most rewardingly subversive citizens, bringing maverick ideas to the provinces about art, politics and what to do with money. "[8] Piano's understated design for the Menil Collection echoed the architecture of the surrounding bungalows, which had been painted gray by the Menil Foundation, and featured a roof of canopy leaves that allowed filtered natural light to fill the galleries. The story goes back to the early 70's when Heiner, a European dealer, transferred his activities to New York, while retaining his interest in his Munich gallery. (One takes off one's shoes on entering.) She grew up, the middle sister of three, watching her physicist father, Conrad Schlumberger, struggle to perfect his invention, an electric measuring device that disclosed the location of oil deposits. On the other hand, she can be imperious. (The two recently returned from a trek to western Tibet to take in the ruins of an 11th-century Buddhist temple.) He met Philippa through Helen Winkler, an employee of the Menil Foundation. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. [1] They had five children: Marie-Christophe (who was married to Robert Thurman and was the grandmother of artist Dash Snow), Adelaide (a photographer who is the widow of anthropologist Edmund Snow Carpenter), George de Menil (an economist), Franois (a filmmaker and architect), and Philippa (co-founder of the Dia Art Foundation[5] and the leader of a Sufi order in Lower Manhattan[6]). Small wonder that in Houston, a city where, as a local gadfly once observed, ''it's easier to be rich than interesting,'' the de Menils are something of a legend. Woe Follows the Obelisk., Hobdy, D. J. ''It's Dominique's museum and it's important to her,'' Francois says. Additionally, they have a manicured beachfront estate on Fishers Island, off Connecticut, and a house in Paris. News Dia Sues Dia: Founders Try to Stop Art Auction. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. I could have worked with Dominique.''. He took the the couple around to galleries, singing the praises of the modernists. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. '', AT 78, DOMINIQUE IS A HANDSOME WOMAN OF frail, unassuming presence, whose ''spiritual'' mien and austere garb evoke the image of a medieval saint. De Maria had traveled to Santa Barbara for his mother's 100th birthday in early June; however, he went on to . In the dining room, 18 rare chairs by the Viennese architect Josef Hoffman surround a pair of tables designed by Gwathmey. Now it's a coalition of businessmen and minorities who run the city.''. Later, attending classes at night, he got a degree from the University of Paris, adding other degrees in political science and law before taking his compulsory army service in the Rif Mountains of Morocco during some tribal wars - and falling in love for life with Africa. With Francois and Georges, she is also making a film about her father, who carried on his venturesome art and community activities while functioning as a key executive in the development of Schlumberger Ltd. ''She is painfully shy, but generous and thoughtful,'' a friend says. But the falling price of Schlumberger stock and serious administrative problems brought big financial troubles. The theoretical thrust of ''The Image of the Black'' reflects Dominique more than John, whose interests were apt to find more direct expression. ''In the here and now, with great acuity and effectiveness; but also, at a moment's notice, in the Kingdom of Benin or the Byzantine Empire.'' After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and architecture. ''Once the children had the disposal of their own fortunes,'' Dominique says, ''John and I never wanted to interfere.'' In 1983, the foundation listed assets of approximately $30 million in art and real estate. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. For example, use [8][9] De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". For several artists besides Judd, houses with studio or living arrangements were provided along with annual stipends, and museums were set up for the work of others. Impressed with Leland, John de Menil took him under his wing and brought the young man into his own social and artistic circles, ''sophisticating a rough diamond,'' as Leland puts it. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. By the 1960s the de Menils had gravitated toward the major American post-war movements of abstract expressionism, pop art, and minimalism. Called ''well logging,'' the process became the basic asset of the company, eventually proving indispensable to oil companies around the world. The Dan Flavin installation consists of two horizontal green fluorescent lights on the eastern and western sides of the building's exterior, two sets of diagonal white lights on the foyer walls, and a large work in the main interior space featuring pink, yellow, green, blue, and ultraviolet lights. She received direct transmission from him in 1980. ''Each of the children,'' says Adelaide now, ''would have preferred his or her own choice of architects, but after all, it is my mother's museum. Hickey-Robertson. Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. [30], In the 1980s de Menil again began looking for an architect to design the museum, eventually commissioning Renzo Piano, a renowned Italian architect known for his provocative Centre Georges Pompidou building in Paris, to come up with a design that would fit her vision for the museum. Today, while Dominique still administers the Institute for the Arts, and contributes to such programs as fellowships for graduate students in art history, the de Menil presence there has shrunk considerably. ''It gives us a strong family feeling.''. When their children were still young, and Schlumberger shares were worth comparatively little, John and Dominique de Menil decided they would put half of their holdings in trust funds for each of their five children. Christophe, who at 53 is the oldest (and a grandmother of three, by her daughter Taya) has always been attuned to the avant-garde. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. De Menil, who lived in Houston until she was 12 and was raised Catholic, has been a practicing Muslim for more than 30 years, and is now known as Sheikha Fariha al-Jerrahi, having been officially . The bulk of the vast collection - reportedly worth between $150 milllion and $175 million - will be kept on the second floor in open storage, visible to anyone who wants to see it. The Rothko Chapel, with its sculpture, Barnett Newman's ''Broken Obelisk,'' expresses their involvement not only with art, but with politics and religion. John liked to gather the interesting, the creative and -by Houston's standards - the outrageous around him: black activists, artists, poets, renegades of every sort. The day and hour were set, with Dominique's agreement. She says now that she never imagined their acquisitions would someday fill a museum. Raised a Protestant, Dominique converted to Roman Catholicism in 1932. . "The Memory of Rossellini in Texas." [26] It was established as an autonomous organization the next year and began hosting colloquia, beginning with "Traditional Modes of Contemplation and Action," which brought together religious leaders, scholars, and musicians from four continents. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport [1] After Jermayne MacAgy's death in 1964, de Menil took over her classes and became the chairperson of the art department at the University of St. Thomas, curating several exhibitions over the next few years. ''We changed the basic political structure of Houston,'' says Hofheinz -now chairman of Tangent Oil and Gas - whose four-year mayoral stint corresponded with Houston's ''go-go'' period of growth. Dominique de Menil, Quoted in Browning 1983, 37. I never really wanted to collect, but the idea of a foundation that would help artists build excited me. [12] The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. They hated the result, and hid it away. "Les divers procds du film parlant". ''It's absolutely crazy what they did,'' says one New York dealer. They are men mostly, with big egos and big ideas. The minute the cops arrive, they form ranks. At one of them he met and influenced Philippa de Menil, a member of a famous Franco-American family of art patrons, and her German-born husband. Casey Lesser. Dominique de Menil appears regularly in Forbes magazine's annual listing of the 400 richest people in America, with an estimated worth of ''at least'' $200 million in Schlumberger stock and art alone. Ironically, planned in a time of boom for Houston, the museum will be finished in a time of bust, due to falling oil prices. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. His interest in architecture, he says, comes from his father and from working with Charles Gwathmey, who designed his East Hampton house. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. After a substantial inheritance from their Schlumberger grandmother, nothing more would be forthcoming, the children were given to understand. ''They came as intellectuals to an intellectual void,'' says Isaac Arnold Jr., chairman of Houston's Museum of Fine Arts and also of Quintana Petroleum. De Maria has a long history with Dia, having been one of the first artists in its collectionwhich was begun by Philippa de Menil, Heiner Friedrich, and Helen Winkler in 1974and a pivotal player in the institution's history. Their fervor spilled over into us. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). When John de Menil walked into Alexander Iolas Gallery in Paris one day in 1964, Jean Tinguely's moving, noisy sculptures stole part of . The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. Apr 18, 2018 1:37PM. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. Both born in Houston - their three elders were born in France - they grew up in the rebellious 60's and seem to have come to terms more uneasily than the others with the Schlumberger aura. For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. But as a friend notes, ''She is maybe not so much a collector as a catalyst who makes things happen.'' A European artist, who is a friend of Adelaide's and Ted's, remembers making an appointment through them to see Dominique on a visit to Houston. The children and their mother also occasionally drop in on Val-Richer, the vast estate in Normandy passed down by Schlumberger ancestors. (Brought up a Protestant, she converted to Catholicism to marry John.) Designed by the Italian architect Renzo Piano, co-creator of the high-tech Pompidou Center in Paris, the museum is so favorably looked upon by Houston bigwigs that more than half of its building costs are being met by local money. ''Dominique and John were entirely separate people who worked not so much together but in parallel ways,'' suggests Fred Hofheinz. stephen scherr family; nigel jones philadelphia. ''If only my father could see him now,'' his sister Adelaide has remarked proudly. But I think it will turn out superbly.''. This in turn enabled the inventors to determine the location of an oil deposit. .''. You were sharing in the great adventure of making a work of art that was maybe too crazy to realize in any other way.'' He remembers a rainy night in Paris, when he was ill with a cold but had a manuscipt to deliver to the noted anthropologist Claude Levi-Strauss. And she was surrounded by accomplished relatives. [8] Over the years the family enjoyed close personal friendships with many of the artists whose work they collected, including Victor Brauner, Max Ernst, Jasper Johns, Yves Klein, Ren Magritte, Robert Rauschenberg, Dorothea Tanning, and Andy Warhol.
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